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9月第23天
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1.今天你阅读到的有价值的全文内容链接
推荐：《Black Edge:Inside Information,Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street》 （中文译本之前推荐了《亿万：围剿华尔街大白鲨》 ）By：Sheelah Kolhatkar
史蒂文·科恩改变了华尔街。他和对冲基金业的同道先锋，既不铺铁路，也不建工厂，更不发明新技术。相反，他们只是通过投机，利用胜多败少的市场押注，就狂赚数十亿美元--他们不仅因此取得了惊人的个人财富，还在社会上获得了可怕的影响力。
https://bbs.pinggu.org/thread-5298241-1-1.html

2.今天你阅读到的有价值的内容段落摘录
今天继续读：《一个投资家的20年》
投资决胜的四个方面
……
      投资失败真正的原因只有一个，就是一次或多次成功地实施了高买低卖。“小赌怡情”是对于绝大多数人投资心理的贴切写照。
2009年6月20日
      3月以来，股市有如气温一样回升，各路人马又开始如同万物复苏一般热闹起来，“研究”股票的人又开始多起来。我是不太愿意与人探讨股票问题的，但终于一天被多年的老友截住非要聊聊“炒”股票，对于其展示的持股，我的问题是：“你是否了解它的净资产收益率、净利润率、盈利增长情况、市盈率、市净率……”大多无言以对。所谓的“研究”只不过看看今天涨了多少、昨天跌了多少，局限于股价而已。既然这么多都不了解，凭什么期望投资赚钱？
      这些日子多人对我提起的另一个故事是“当花旗跌到1美元的时候，我觉得应该买了”云云，我不明白为什么1美元的花旗就值得买，上述结论的持有者只不过知道了今天花旗的股价回升到了3美元这个结果，以期待倒推自己可能具有某些神通吧，可惜的是我们无法从后视镜中窥见未来。事实上如果美国政府不出手援助，它应该跌到零，（大家终于看到世界各国政府如何利用政策干预股市了吧）。如果你知道AIG从80美元跌到1美元后，又跌到0.30美元时，脖颈一定会冒凉气。即便历史重演，谅也没有几人敢将身家性命押上。
      类似的例子举不胜举，如著名的房地产商碧桂园此轮上升了200%，但是距其高点仍然下挫了75%。透过这些眼前的繁闹，事实是上证指数仍然下跌了53%，恒生指数仍然有40%的跌幅。
      投资成功的顶尖秘籍在本专栏中已经提过，与此相反，投资失败看似有千万条理由，实际上真正的原因也只有一个，就是一次或多次成功地实施了高买低卖，无他。
      你或许也会持有“没关系，反正拿一点钱试试”的观点，没错，这就是绝大多数人视投资为“小赌怡情”工具的真实写照，这也是他们基本上不以投资为工作的主要原因，人们内心深处是知道久赌必输的道理的。这同样也是为何十年来“炒”股票的人绝大多数亏钱的最根本原因。
      投资固然不可能每战必胜，每次卖到最高、买到最低是永远不可能的，但一些原则的坚持可以增大胜算。投资的胜负在买入时就已经决定了，而不是在卖出时。如果能做好下面四个方面的工作，应该可以规避80%的风险，而不再靠运气赚钱。
      第一，找到合适的投资对象，即找到合适的企业。长期而言，一家企业连续很多年都赚钱，而且一年赚的比一年多，股价最终会上涨。第二，具有合适的价格。但是如果为好东西付出过高的代价，好企业的股票在一定期限内可能并不能令人获利。好价格对于买家而言是指在同一对象情况下，价格越低越好。即便持同一理论的人也可能出现估值的不同，这涉及估值问题，复杂到可以独立成篇。第三，不要将借款和短期资金用于投资。实际上财务杠杆是高手们经常采用的手段，但是一般投资人最好不要使用，其中的关键在于安排好健康的现金流。第四，适度的耐心。忍耐和等待在很多时候是美德，但却经常被用反。很多人的耐心体现在被套时，经过长久以至于被遗忘的等待，稍有反弹即脱手，弹冠相庆时，眼睁睁看着大牛脱缰而去，待总结出应如何如何的经验时，往往是陷入下一个灾难的开始。
      上述仅是简单的描述，实际上做到每一条都不易，后两条一般投资人做到即可，前两条可以交给专业投资管理人，荀子曾言“君子性非异也，善假于物也”，让别人替你忍受折磨符合他老人家推崇的君子之道。
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3.今天你阅读到的有价值信息的自我思考点评感想
      1、合适的投资对象；2、具有合适的价格；3、不要将借款和短期资金用于投资；4、适度地耐心。这四点是高买低卖的展开描述。应该增加第零点，也是最重要的一点：把自己调整到一个良好的心态。
      书读到这里就读出来的：这是一个基金经理人的推销书，目的还是要让你把钱交给专业投资管理人（最直接的就是基金经理）。
       那么问题来了：你选择做一个业余的基金经理人（仅管理你自己的钱）还是选择做一个职业基金经理（管理别人的钱）。如果这两者有点区别的话，前者的目的是以管理的钱增值为成功，后者则是以基金公司赢利为成功。你想好了吗？我想好了吗？我想透了吗？
     “君子性非异也，善假于物也”实在是好！老巴就是典型！
…...

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在这厚黑的现实世界，不求闻达，但求不要被过多入坑。因而，了解现实，不忘初心， 不断进化。

48 Laws of power 部分摘要如下

Law 25 Re-Create Yourself
Judgment: Do not accept the roles that society foists on you. Re-create yourself by forgiving a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define it for you. Incorporate dramatic devices into your public gestures and actions—your power will be enhanced and your character will seem larger than life.
“The man who intends to make his fortune in this ancient capital of the world (Roma) must be a chameleon susceptible of reflecting the colors of the atmosphere that surrounds him—a Proteus apt to assume every form, every shape. He must be supple, flexible, insinuating, close, inscrutable, often base, sometimes sincere, sometimes perfidious, always concealing a part of his knowledge, indulging in but one tone of voice, patient, a perfect master of his own countenance, as cold as ice when any other man would be all fire and if unfortunately he is not religious at heart—a very common occurrence for a soul possessing the above requisites—he must have religion in his mind, that is to say, on his face, on his lips, in his manners; he must suffer quietly, if he be an honest man, the necessity of knowing himself an arrant hypocrite. The man whose soul would loathe such a life should leave Rome and seek his fortune elsewhere. I do not know whether I am praising or excusing myself, but of all those qualities I possessed but one—namely, flexibility.”
Understand this: The world wants to assign you a role in life. And once you accept that role you are doomed. Your power is limited to the tiny amount allotted to the role you have selected or have been forced to assume. An actor, on the other hand, plays many roles. Enjoy that protean power, and if it is beyond you, at least forge a new identity, one of your own making, one that has had no boundaries assigned to it by an envious and resentful world. This act of defiance is Promethean: It makes you responsible for your own creation.
You new identity will protect you from the world precisely because it is not ”you”; it is a costume you put on and take off. You need not take it personally. And your new identity sets you apart, gives you theatrical presence.  Those in the back rows can see you and hear you. Those in the front rows marvel at your audacity.
“Do not people talk in society of a man being a great actor? They do not mean by that that he feels, but that he excels in simulating, though he feels nothing.”
The character you seem to have been born with is not necessarily who you are; beyond the characteristics you have inherited, your parents, your friends, and your peers have helped to shape your personality. The Promethean task of the powerful is to take control of the process, to stop allowing others that ability to limit and mold them. Remake yourself into a character of power. Working on yourself like clay should be one of your greatest and most pleasurable life tasks. It makes you in essence an artist—an artist creating yourself.
You must demand for yourself the power to determine your position in the painting, and to create your own image.
The first step in the process of self-creation is self-consciousness—being aware of yourself as an actor and taking control of your appearance and emotions. As Diderot said, the bad actor is the one who is always sincere. People who wear their hearts on their sleeves out in society are tiresome and embarrassing. Their sincerity notwithstanding, it is hard to take them seriously.
Good actors control themselves better. They can play sincere and heartfelt, can affect a tear and a compassionate look at will, but they don’t have to feel it. Adopt the plasticity of the actor, who can mold his or her face to the emotion required.
The second step in the process of self-creation is a variation on the George Sand strategy: the creation of a memorable character, one that compels attention, that stands out above the other players on the stage.
It is less what you do what matters, clearly, than how you do it—your gracefulness and imposing stillness on the social stage count for more than overdoing your part and moving around too much.
Finally: Learn to play many roles, to be whatever the moment requires. Adapt your mask to the situation—be protean in the faces you wear. Bismarck played this game to perfection: To a liberal he was a liberal, to a hawk he was a hawk. He could not be grasped, and what cannot be grasped cannot be consumed.
Image: The Greek Sea-God Proteus. His power came from his ability to change shape at will, to be whatever the moment required. When Menelaus, brother of Agamemnon, tried to seize him, Proteus transformed himself into a lion, htne a serpent, a panther, a boar, running water, and finally a leafy tree.
Authority: “Know how to be all things to all men. A discreet Proteus—a sholar among scholars, a saint among saints. That is the art of winning over everyone, for like attracts like. Take note of temperaments and adapt yourself to that of each person you meet—follow the lead of the serious and jovial in turn, changing your mood discreetly.”